Let's
make
something.

Fashion, music and events, editorial and community. Really it comes down to people who care about what they're making, at any scale. Every project starts with a conversation, and I bring in the right people for styling, design and more when the work needs them.

No. Some of my favourite work has been for a single café or an artist's first release. If you care about what you're making, the size doesn't matter to me.

I'm currently based in Melbourne and taking Melbourne work through 2026. London, Paris, Melbourne and New York are my home bases, and I consider travel one project at a time. Edinburgh, Brighton, Rome and Madrid are on the record too.

Every image I deliver comes with a Certificate of Authenticity. It's a record that a person made the photograph, on location, with intent. I think that matters more and more as generated images become common.

For planned productions, three to six weeks is ideal. For editorial or events I can often work to a shorter lead. The best thing is to get in touch as soon as the project starts to take shape.

A short description of the project, rough dates, and where it is. Usage and budget can come later. The first conversation is really just to see if we're a good fit.