Let's make something.
Currently Melbourne. Taking Melbourne-based work for 2026. Every enquiry is read by me, not a sorting system. A call or a coffee is the best place to start, and the forms below are a good way in.
Three ways in
A short question about a date, a place or how I work.
A shoot, a film or a campaign. Tell me what you're making, who it's for, and when.
For photographers, crew and creatives who want to work with me.
How it works
What kind of work do you take on?
Fashion, music and events, editorial and community. Really it comes down to people who care about what they're making, at any scale. Every project starts with a conversation, and I bring in the right people for styling, design and more when the work needs them.
Is any project too small?
No. Some of my favourite work has been for a single café or an artist's first release. If you care about what you're making, the size doesn't matter to me.
Where do you shoot?
I'm based in Melbourne and taking Melbourne work through 2026. London, Paris, Melbourne and New York are my home bases, and I consider travel one project at a time. Edinburgh, Brighton, Rome and Madrid are on the record too.
What is the authored. Certificate of Authenticity?
Every image I deliver comes with a Certificate of Authenticity. It's a record that a person made the photograph, on location, with intent. That matters more and more as generated images become common.
How far in advance should I get in touch?
For planned productions, three to six weeks is ideal. For editorial or events I can often work to a shorter lead. The best thing is to get in touch as soon as the project starts to take shape.
What should an enquiry include?
A short description of the project, rough dates, and where it is. Usage and budget can come later. The first conversation is really just to see if we're a good fit.